Bunny also played the role of Bea on Season 2 of HBO’s hit show, “High Maintenance”. They currently host a digital show for Vice’s Broadly Channel called “Broadly Hotline”. and Europe as a support act for world renowned Swedish electronic musician Fever Ray. Their work has been featured in numerous publications including The New York Times, HuffPost, Paper Magazine, Dazed and Confused, and Vice. You’re a whole and beautiful human being.īunny Michael (born Melisa Rincon) is a femme presenting non- binary rapper, actor, author and visual artist best known for their Higher Self meme project on Instagram. You’re not just a hologram in a gigantic computer simulation of life.
Previous editions of YES YOU CAN featured a giant group hug exercise, group affirmations, a live splooshing sessions with a dominatrix, an iPad self pleasure demo, an ASMR make up tutorial, life hacks, meditations, and beyond. Get a fresh start gaining insight and inspiration from a panel of experts dealing with self-esteem, fitness, romance, finance, spirituality and more. Is your life filled with anxiety and dread? The hot breath of a meaningless existence breathing down your neck? A sense that the Matrix is glitching out and we’re trapped in the meltdown? They embody utopian optimism by rooting their art and operation in both improvisation and the involvement of neighbors and friends in their process, making use of what and who is around at any given moment to make music with. The group also builds upon similarities and contrasts with Harris’ past projects and continuing collaborations these include Swans, Ben Frost, Bill Callahan, Hospital Ships, Shearwater and John Congelton. Circling these core motifs are shifting streams of everything from processed pedal steel and analog synthesizer to violin, viola, stand-up bass, clarinet, duduk and oboe. Thor & Friends draws on classic Minimalist composers, including Terry Riley and Steve Reich, but also amalgamate such diverse influences as Brian Eno, Aphex Twin, Moondog and The Necks around a polyrhythmic core of mallet-struck instruments, primarily marimba, xylophone and vibraphone. (MOMA)įor CONTRAST the film will be presented with an original live score by musicians Thor Harris, Peggy Ghorbani, and Sarah Gautier who perform together under the moniker THOR & FRIENDS.
#JACK SMITH FLAMING CREATURES FREE#
Adding to its significance is the fact that it foregrounded the fluidity of gender, sexuality, and identity and celebrated their free expression, at a time when they were seen in more rigid terms. Because of such scenes, and Smith’s DIY, freeform approach to making Flaming Creatures, the film went against the norms of both society and filmmaking-ultimately setting a radical new example that inspired other artists and filmmakers. Shots of bared body parts and fluttering eyes punctuate these scenes, set to a soundtrack of vintage music. We see men applying lipstick to their puckering mouths, the set appears to crumble in an earthquake, and a vampire in a blond wig sucks the blood of an unconscious victim. Shot from above or from odd angles at close range, Flaming Creatures is composed of loosely connected vignettes full of humor, eroticism, and violence. In Flaming Creatures, as in all of his works, there is no fixed narrative, the sets and special effects are low-tech and homemade, and non-professional actors populate the cast. Smith’s unconventional approach to his films was inspired by the melodrama and excessive glamour of Hollywood and B movies, and by such flamboyant forms of performance as burlesque. And Smith, the pioneering performance artist, actor, filmmaker, and photographer who was largely unknown outside of New York’s underground art scene, suddenly became famous. Detractors and champions took their sides. Eventually, it came to the attention of Congress and the Supreme Court, as a part of a censorship battle then being fought in America. The police were called, and they seized the film. These images were a part of Flaming Creatures, an experimental film by Jack Smith, which premiered that night.
#JACK SMITH FLAMING CREATURES MOVIE#
At midnight on April 29, 1963, the movie screen at New York’s Bleecker Street Cinema lit up with visions of men and women in makeup and dresses draped white fabric and a tall vase filled with feathery blooms and disjointed shots of lips, eyes, tangled limbs, and genitalia.